Friday, 26 November 2010

Avid | HEAT


Haven't had a chance to use it yet but sounds really cool
Found this video interesting 

Friday, 12 November 2010

Non-graphic Eq Pluggins

So recently I've been using the Waves SSL G-Eq and have loved the results.  I find myself listening to every finely tuned adjustment i make and think it has worked wonders on vocals.  A really warm analog sound.

Compared to a graphic Eq like Logic's channel Eq, where i find my self just grabbing the mouse and ramping up random frequencies till i get the sound i like, i find the process far more focused and accurate.   

I dialled in some settings on the SSL to enhance the sound of a vocal recording.  I then tried to recreate the settings on a graphic Eq (sort of creating the graphic of the SSL Eq) i found didn't achieve as nice result as the SSL.



Not really expecting the same results as a Waves plugin on Logic's most basic Eq however i was quite shocked at just how much difference there was in the the sound.  I had to make more changes to Logic's Eq to get it sounding remotely near the SSL.
 

Wednesday, 3 November 2010

Band Recording Day 3

Day 3 Tuesday 2nd Nov 17:00 - 22:00
Tracking Vocals
Went in at 17:00 to pick mic’s etc. up and set everything up.  This included routing microphone, setting up reflection filter, recording some practice vocals to see everything was running smoothly.
Set up a foldback mix of every track for the vocalist to hear.  
Sent some reverb down the foldback on the vocal channel.  
Prepared a quick mix for the band to listen to
Whole band arrived including vocalist at 18:00
Vocalist had not yet finished writing lyrics or fitting them to the songs so he spent an hour with the track looping in his headphones perfecting the vocals.
19:00
Started recording first vocal takes, recorded many takes for the first verse and chorus. 

Tried different techniques when recording the verse as the vocals were fast and the vocalist was running out of breath by the end so experimented with recording each line separately, the band decided this did not sound natural enough so went back to record it in one take.

Gave the vocalist advice about singing directly into the mic, he kept looking at lyric book and were were not getting a consistent volume throughout the phrases.  
Mic was sounding ‘phasey’ so repositioned the SE electronics reflection filter.  

By know vocalist had warmed up and got a lot more confident and sang first verse and chorus in 1 take.
Short Break
Vocalist came in control room for listen and was reassured as it sounded much better here than it did in his headphones.  
Tracked the second verse and second chorus, vocalist was getting much more confident now.
The whole band went in to the live room and gathered around the mic to record a ‘chant/wowowoo thing’ in the breakdown.  Which ended up being dreadfully out of tune so was scrapped.  The vocalist then did this on his own.
Doubled up the breakdown vocals
Tracked vocals for final chorus and extended chorus, took afew takes for this to come together.
Went back to double track the whole vocals in one take.
Recorded rough mix to CD for band to take home.

Monday, 1 November 2010

Band Recording Day 2

Day 2 Sun 24th October 9 - 5

9:00
Went in before band to recall the last session and tidy up some routing and channels.  Channels all over the place had got a bit messy in the haste of the tracking session the day before.

11:00
Guitarist came in.  Wasn’t happy with his tone in the one song that we had done overdub guitar for so we spent some time messing with the amp and pedals.  Also added an extra mic to the amp, (guitar was sounding thin so added close sm57 for deeper sounding proximity effect)

12:00 - 16:00
Recorded multiple guitar tracks for 2 of the songs

The band felt that the 3rd song they recorded wasn't arranged properly so decided to scrap it. 

16:00 - 17:00
Did rough mix of first song to take home!

Band Recording Diary Day 1

I've been recording a band recently and thought I would share some of my documentation.  The tracks are not yet finished, I'll publish each day as a new thread.

Tracking on Radar mixing in ProTools HD
Console: Audient ASP 8024
Recording Device: IZ Radar (24tracks)


Day 1 - Sat 23rd October 9:00 - 17:00

9:00
Got studio keys and equipment

Mic’ed up guitar and bass amps

Went to collect drum kit and mic’ed up

13:00
Drummer came in and positioned his kit how he wanted

Made some mic adjustments to drum kit

1:30 p.m
Band arrived and practiced the songs while we set levels in the control room and prepared channels ect.

14:00
Recorded first live tracks, the band were not happy with some takes so re recorded.

Did live recording of 3 songs to use as a ghost track for overdubbing

Band came in for a listen / the band and us were very pleased with the unmixed live recording

Short Break

Did drum overdubs for all 3 songs

Recorded these new drums on 8 new tracks

Had to keep live drum overheads to hear count in

Recorded bass overdubs over unwanted live drum tracks

45min Break

Recorded rough overdub Guitar for one song

Did rough mixes

Saturday, 30 October 2010

Just realised how painfull mp3 really is!!


I've been listening to vinyls all night when i decided to do the the ol' A/B'ing with vinyl and mp3. Listening to The Police i happen to have their album on vinyl and mp3 in itunes. My little mixers set up with a an input from my laptop and an input from my record player, both playing at the same time i flick the switch and immediately notice that the mp3 has become quite hard to listen to after the vinyl. MP3 is sounding so harsh and lifeless and was actually making me uncomfortable listening to it.

Vinyl will live on forever...

The way i see it with CD sales falling and the rise of the download, wouldn't it be nice to abolish CD's altogether and have high street shops like HMV just selling vinyls. It wont limit sales, it wont stop people buying the mp3 downloads it will just mean better quality audio for anyone listening at home on their record player.

CD's are in a weird grey area or portability and sound quality. They have average sound quality and average portability.

The MP3 maximum portability and crap sound quality but who cares when your just listening on your headphones on the go.

The vinyl maximum sound quality for when your at home chilling with one going round in the background.

There's no need for the middle man here...send CD's to their doom!!!!!!

Operating Systems & Visuals



In my opinion the only operating systems that are worth while working with (wwwwow) are MAC OSX and WINDOWS XP (pro)!

Vista and 7 are just bloated with a load of processes running in the background that will hog your CPU and besides who cares a fancy flashing desktop with countless widgets when the only with you want to look at is your DAW.

This brings me to another point.hmmm

You don't really want to be looking at anything when your mixing, you want to be listening. Eye catching graphics and so on distract your brain and take up a bit of 'CPU' space in your brain (effectively). I want my brain to be focused 100& on audio when I'm mixing/analyzing sounds.
That's something i notice about Logic, its a little too pretty perhaps? a bit too visual? I find the pro tools interface on the other hand quite boring so I'm less excited about how things look and focus on the sound more closely.

There's definably some research to be done here...